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Click on the picture to see the larger version
version.

Michael Brennan DAEMONIE oil on linen 1997, 36 x
57"

Marti Cormand UNTITLED mixed media on canvas 1998,
32 x 32"

Joy Episalla UNTITLED phototransfer on latex 1997,
17 x 22 1/2"

Rebecca Guberman DETAIL FROM BLOODWORK color
photograph 1997, 16 x 20"

Mark Sheinkman UNTITLED graphite on paper 1996, 24
x 19"

Richard Tsao BURLESQUE BLUE waterbase, mix
media, marble dust 1997, 24 x 24"

Carrie Yamaoka UNTITLED mylar and resin on
wood 1997, 48 x 48"
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Skin Deep
Richard Tsao
Carrie Yamaoka
Michael Brennan
Marti Cormand
Joy Episalla
Rebecca Guberman
Mark Sheinkman
June 10 - July 11, 1998
- Exhibition curated by Stefanie Nagorka
- catalogue available
123 Watts is pleased to present Skin Deep, an exhibition of new
works by a
group of seven artists: Mark Sheinkman, Joy Episalla, Michael Brennan, Marti Cormand,
Carrie Yamaoka, Richard Tsao, and Rebecca Guberman. Beauty
is only skin deep. Indeed, surface sells and narcissism rules. In our
culture beautiful skin has become a metaphor for virtue; beautiful body, a
metaphor for intelligence. We worship beauty, youth surfaces. Skin as
surface and entry point to the object is explored in this exhibition.
Does a fixation on surface quality negate the possibility for depth? The
rich seductive surfaces found in the varied works in this group show
challenge the notion that value lies only on the surface, and invites the
viewer to discover the meaning and beauty within the art object.
Engaging the viewer first through deluxe surface treatments and then
drawing one in to deeper levels, each artist has developed their own
highly personal vocabulary employing both traditional and new materials in
quirky ways. Using eraser marks as positive space, Sheinkman defines his
own graphite fields. Yamaoka's high gloss mylar pieces make the viewer and
environment become the work. Cormand makes paintings which draw you into
their soft, fleshy skin. Veiled shimmering space shifts across the
contained realm of the marking band as Brennan paints concrete space
wedded with uncertainty.
Photo-based images combined with medical notes of attending doctors offer
a seductive window to Guberman's HIV infected blood. Working with
countless layers of paint accumulated over a period of years, Tsao's works
are a metaphor for skin, with its many layers of old and new cells present
simultaneously. Floating in waves on a latex support, Episalla's dress
seems to be tattooed into its skin like support. The varied works of
Skin deep draw you in and challenge you to read them, to penetrate their
surfaces and get beneath their skins.
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